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As he tells it, it was love at first sight. Nameless and faithless, the West Coast church had sat on the market for over a year without anyone swiping right. Then, a miracle. As an artist, Sam is perhaps best known for his large ceramic sculptures of naked men. They tend to be brightly painted: pink, purple, yellow, gold.
Some are covered head to toe in multicoloured spots. Their heads always a little small for their bodies, their expressions slightly bewildered. They are amorphous figures that embody both joy and sadness, an axis of feeling that can hold a mirror to the mood or outlook of the viewer. The former Anglican church is his latest art project β and has also been his home since October last year, sleeping on a single bed installed under the front window, living simply: a table, a kettle, a toaster, an electric frying pan, a mini-fridge, a lamp, a rug, a chair.
Sam made the move south from his hometown of Wellington for the same reason many others are packing up and leaving the city: house prices. The building was definitely in worse shape than the pictures led him to believe.
Leaks, mould, rot, no plumbing, no kitchen, with a terrible mystery smell coming from the carpet. But being on the West Coast felt good β Sam loved the beach and the hills. Besides, he had a vision. And standing there looking at this sad, dilapidated, unloved old church, he also had another kind of feeling. The years are flying by. I want to do something big and stupid. So I bought it. By January , it was official. The church was his.
In September Gloria had a bathroom installed, and by October Sam was finally ready to move in. The photos that followed were a satisfying montage of renovation and transformation. Nineteen-seventies carpets pulled to expose the wooden floors beneath, pulpit brushed and scrubbed, new hinges on the old door.