No account of the Jewish Question in Germany can be complete without some mention of the tidal wave of sexual immorality that was to engulf the country during the period of the Weimar Republic following World War One.
This also happened to be the apogee of Jewish power in Germany. Every single sphere of major influence had now fallen under Jewish control. Well before the Jews had taken possession of the film industry even more thoroughly than of the theater.
That was understandable, because the earnings in the film industry overshadow the earnings of any other artistic activity…. The biggest step in the direction of the decline of the German cultural life [however] was taken in the field of the light entertainment genre. Here—in the genre of musical comedy and above all in revue and burlesque—frivolity and lasciviousness were to rear their ugly heads. So much so that during these years Berlin was quite correctly considered the most immoral city in the world.
In , over 60 percent of German films were produced by Jews and 82 percent of the film scripts were written by Jewish writers, though Jews made up less than 1 percent of the German population 0.
A cursory survey of the film titles, Wiehe tells us, shows us that the Jews had only one thing on the brain: sex. The revue theaters, all concentrated within great cities such as Berlin, were owned and run almost exclusively by Jews. Shows consisted of little more than excuses for sexual titillation involving the display of the female form in lascivious dances that were to degenerate later into striptease and scenes of public masturbation.
