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This month. Last month. All days. View in PDF. Number of views: In these texts, the writer expressed her attachment to the South - Herzegovina, Mostar and Stari Most. With that, she joined the poets of the "city poetry" of Mostar, who promoted it as our most sung city. Reminiscences and associations of the experience of luxuriant nature, the wild Neretva, the bridge's arch and white stone buildings, as well as the architecture and culture of mahal life and the cultural identity of the people and the city emerge.
This essay follows Fatima Fata , the protagonist of the novel Crossroads within the context of contemporary criticism, which essentially identifies all types of novelistic prose with a certain note of dialogism.
In the role of mother and wife, the main character's communicative position directs the idea pattern of the novel from the external to the internal dialogue with herself. Fatima, wrapped in the mantle of an absolute subject, in the general chaos of war and existential paradox, transcends the role of victim and passive witness of the pogrom and through spiritual healing becomes an actor in the struggle.
In the cognitive structure of the novel, the author breathes into her protagonist the knowledge that human destiny is almost always subject to the discursive power of intuition.
