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If you are authenticated and think you should have access to this title, please contact your librarian. Institutions can purchase access to individual titles; please contact manchesterhive manchester. Don't have an account? The first section of the Introduction provides the backdrop needed for readers to understand the nature of sadomasochistic desires as they were interpreted by psychologists and sexologists from Richard von Kraftt-Ebing to Leo Bersani and Kaja Silverman.
It looks at role-play and role reversals, the pleasures of domination, submission, pain and impact play, and the dissolution of the self. The chapter moves on to focus on the identifiable correspondences between medieval expressions of sadomasochistic desire and what is practised today. It explores first religious and then courtly contexts.
All of MUP's digital content including Open Access books and journals is now available on manchesterhive. Series: Manchester Medieval Literature and Culture. This book examines Shakespeare's works in relation to different contexts of production and reception.
Several of the chapters explore Shakespeare's relationship with actual printers, patrons and readers, while others consider the representation of writing, reading and print within his works themselves. The collection gives us glimpses into different Shakespeares: Shakespeare the man who lived and worked in Elizabethan and Jacobean London; Shakespeare the author of the works attributed to him; and 'Shakespeare', the construction of his colleagues, printers and readers.
In examining these Shakespeares, and the interactions, overlaps and disjunctions between them, the chapters offer different conceptions of Shakespearean 'authorship'. Some chapters try to trace Shakespeare as the creative force behind his works, charting, for example, what variations between different editions of the same play might tell us about his processes of composition.